Ihre Kunst in sicheren Händen.

Dank un­se­ren ver­sier­ten und lei­den­schaft­li­chen FINAIS-Ex­per­ten können wir Ihnen einen kom­pe­ten­ten Ser­vice und zu­ver­läs­si­ge Un­ter­stüt­zung in allen An­ge­le­gen­hei­ten ga­ran­tie­ren.

Andranik Ghazarian

CEO & Founder

andranik@finais.ch

An­dra­nik is the foun­der and owner of Fine Art In­ter­na­tio­nal Switz­er­land AG.

Talar Ghazarian

General Director

talar@finais.ch

Cecilia Paolini

Director of Certification Service

cecilia@finais.ch

Ce­ci­lia Pao­li­ni spe­cia­li­zed in the Hi­sto­ry of Me­di­eval and Modern Art at the „Sa­pi­en­za“ Uni­ver­si­ty of Rome, where she earned her PhD.

Her in­te­rests in­vol­ve both modern Fle­mish pain­ting, for which she has pu­blished the mo­no­graph Rubens e gli ar­ci­du­chi delle Fi­and­re Me­ri­dio­na­li (Gi­ne­v­ra Ben­tivo­glio 2018), and con­tem­pora­ry art, de­aling in par­ti­cu­lar with sculp­tu­re in the pu­bli­ca­ti­on Le opere di Ven­an­zo Cro­cet­ti a Roma. She has col­la­bo­ra­ted with the Hallie Ford Museum of the Wil­la­met­te Uni­ver­si­ty of Salem (Oregon-USA) with a re­se­arch pro­ject spon­so­red by the Center for An­ci­ent Stu­dies and Ar­cha­e­lo­gy (CASA). She was a member of the sci­en­ti­fic com­mit­tee of the ex­hi­bi­ti­on Rubens e la Na­s­ci­ta del Ba­roc­co (Milan 2016-2017) and Rubens and the birth of the Ba­ro­que (Tokyo 2018-2019). For the Ita­li­an Mi­ni­stry of the Na­tio­nal Affair, he cu­ra­ted the collec­tive ex­hi­bi­ti­ons of con­tem­pora­ry art L’Aquila non si muove (Rome, Pa­laz­zo Fer­di­nan­do di Savoia, 2009) and Sfide e Spe­r­an­ze (Rome, Pa­laz­zo Fer­di­nan­do di Savoia – Turin, Pa­laz­zo della Re­gio­ne Pie­mon­te, 2010). For the Grande Napoli Arte ex­hi­bi­ti­on (Naples, Castel Nuovo, 2012) she was the cu­ra­tor of the sec­tion of 19th and 20th cen­tu­ry pain­tings. In 2019, she edited the ca­ta­log of Goya’s et­chings taken from The Dis­a­sters of War series and Clau­dio Bo­ni­chi’s works, both from the Al­fre­do Paglio­ne collec­tion ex­hi­bi­ted on per­ma­nent loan at the „Ga­brie­le d ‚An­nun­zio“ Uni­ver­si­ty Museum in Chieti.

Bibliography

Ce­ci­lia Pao­li­ni, L’in­ven­ta­rio post-mortem di Luigi Ro­but­ti (1807), The Getty Re­se­arch Pro­ven­an­ce Da­ta­ba­ses.

2014

Ce­ci­lia Pao­li­ni, Il ri­tro­va­to ri­trat­to dell’Ar­ci­du­ca Al­ber­to VII di Peter Paul Rubens: con­fron­to dia­gno­sti­co e ico­no­gra­fi­co con la ri­trat­tis­ti­ca ru­ben­sia­na, in: Kermes, n. 93, 2014.

2014

Ce­ci­lia Pao­li­ni, Ri­car­do de Mambro Santos, “Ri­trat­to di un Rubens Ita­lia­no”, Milano, 2014, Sil­va­na Edi­to­re.

2013

Ri­car­do de Mambro Santos, Ce­ci­lia Pao­li­ni, Due Pro­po­ste per un Rubens In­edi­to, in: “Ri­cer­che di Storia dell’Arte, n. 110, 2013.

2013

Ce­ci­lia Pao­li­ni (edited by…), “Il Cielo Sve­la­to” (Art Ca­ta­lo­gue), Napoli, 2013, Daphne Museum Edi­zio­ni.

2013

Ce­ci­lia Pao­li­ni, “Derive” (Art Ca­ta­lo­gue), Napoli, 2013, Daphne Museum Edi­zio­ni.

2013

Ce­ci­lia Pao­li­ni, “Il Filo Con­ti­nuo” (Art Ca­ta­lo­gue), Napoli, 2013, Daphne Museum Edi­zio­ni.

2012

Ce­ci­lia Pao­li­ni, “Caldo come il De­ser­to, Freddo come il Marmo” (Art Ca­ta­lo­gue), Napoli, 2012, Daphne Museum Edi­zio­ni.

2011

VV. (fore­word by Ce­ci­lia Pao­li­ni), “Grande Napoli Arte” (Art Ca­ta­lo­gue), Napoli, 2011, Daphne Museum Edi­zio­ni.

2011

Ce­ci­lia Pao­li­ni, “Honi Soit qui Mal y Pense” (Art Ca­ta­lo­gue), Roma – Napoli, 2011, Daphne Museum Edi­zio­ni.

2011

Ce­ci­lia Pao­li­ni, “Be­stiame Umano” (Art Ca­ta­lo­gue), Roma, 2011, Ca­ly­can­thus Edi­zio­ni.

2011

Ce­ci­lia Pao­li­ni, “Verde Carne, Chioma Verde” (Art Ca­ta­lo­gue), Roma – Napoli, 2011, Daphne Museum Edi­zio­ni.

2010

Ro­ber­ta di Chiara, Ce­ci­lia Pao­li­ni, “Sfide e Spe­r­an­ze” (Art Ca­ta­lo­gue), Roma – Torino, 2010, Ca­ly­can­thus Edi­zio­ni.

2010

Ce­ci­lia Pao­li­ni (a cura di…), “L’Aquila Non Si Muove” (Art Ca­ta­lo­gue), Roma, 2010, One Net­work Ex­pe­ri­ence.

2009

Ce­ci­lia Pao­li­ni (cri­ti­cal text edited by …), “Vae Victis”, Roma, 2009, Mi­li­graf.

Exhibitions

2013

De­cem­ber 2013 – Luigi Cer­vo­ne, “Ac­cinc­tio”, at Museo di Villa Ve­c­chia – Villa Doria Pam­philj , Rome, Italy.

2013

No­vem­ber 2013 – Lorena Peris, “Ver­ti­gi­ne”, at Cripta Bor­ro­meo – Ba­si­li­ca dei Santi Am­bro­gio e Carlo, Rome, Italy.

2013

May 2013 – ex­hi­bi­ti­on of Ita­li­an Con­tem­pora­ry Art, “Il Cielo Sve­la­to”, at Comp­les­so Mo­nu­men­ta­le „Sant’Andrea al Qui­ri­na­le – Teatro dei Dioscu­ri“, Rome, Italy.

2013

Ja­nu­a­ry 2013 – Bruno Melap­pio­ni, “Il Filo Con­ti­nuo”, at Comp­les­so Mo­nu­men­ta­le „San Sal­va­to­re in Lauro“, Rome, Italy.

2012

Fe­bru­a­ry/March 2012 – Brahim Achir, “Caldo come il De­ser­to, Freddo come il Marmo”, at Museo di Villa Ve­c­chia – Villa Doria Pam­philj, Rome, Italy.

2011

July 2011 – ex­hi­bi­ti­on of French and Ita­li­an Con­tem­pora­ry Art, “Verde Carne, Chioma Verde”, at Museo di Ca­sci­na Far­set­ti, Rome, Italy.

2011

June 2011 – ex­hi­bi­ti­on of Ita­li­an Modern Art, “Grande Napoli Arte”, at Ma­schio An­gioi­no, Naples, Italy.

2011

Oc­to­ber/No­vem­ber 2011 – Sergio Angeli, “Be­stiame Umano”, at Museo di Villa Ve­c­chia – Villa Doria Pam­philj, Rome, Italy.

2011

May 2011 – ex­hi­bi­ti­on of Con­tem­pora­ry Art, “Il Ri­tor­no degli Dei”, at Casale dei Monaci, Ciam­pi­no, Italy.

2011

Ja­nu­a­ry 2011 – ex­hi­bi­ti­on of Con­tem­pora­ry Art, “No Canvas!”, at “Scu­de­rie Esten­si”, Tivoli, and “Tor­ret­ta Vala­di­er”, Rome, Italy.

2010

Oc­to­ber/De­cem­ber 2010 – ex­hi­bi­ti­on of Con­tem­pora­ry Art, “Sfide e Spe­r­an­ze”, at Pa­laz­zo Fer­di­nan­do di Savoia, Rome, and Pa­laz­zo della Re­gio­ne, Turin, Italy.

2010

July 2010 – per­forming art, “Furor Mo­ren­di”, at Pas­so­ver Art Gal­le­ry, Rome, Italy.

2010

May 2010 – ex­hi­bi­ti­on and work­shop of Cul­tu­ral He­ri­ta­ge in Abruz­zo, “L’Aquila non si muove”, at Musei Ca­pi­to­li­ni, Rome, Italy.

2009

August/Sep­tem­ber 2009 – ex­hi­bi­ti­on of Con­tem­pora­ry Art, “Tha­l­as­sa”, at Net­t­u­no Club, Capri (Naples), Italy.

2009

August 2009 – in­ter­na­tio­nal per­forming expo, “EurMu­si­cAr­te”, at Parco del Ninfeo, Rome, Italy.

2009

June/July 2009 – ex­hi­bi­ti­on of Con­tem­pora­ry Art, “Wun­der­ka(v)er!”, at Rifu­gio An­tia­e­reo E.U.R., Rome, Italy.

2008

June/July 2008 – ex­hi­bi­ti­on of Con­tem­pora­ry Art, “Homo Faber”, at Rifu­gio An­tia­e­reo E.U.R., Rome, Italy.

2007

Oc­to­ber 2007, ex­hi­bi­ti­on of Modern and Con­tem­pora­ry Art, “In­au­gu­ra­zio­ne a Roma”, at Ar­tita­lia Art Gal­le­ry, Rome, Italy

2003

Ja­nu­a­ry 2003 – ex­hi­bi­ti­on of An­ci­ent Art, “La chiesa di S. Lucia. Un sito con du­e­mi­la anni di storia”, at Museo Civico “U. Mastroi­an­ni”, Marino (Rome), Italy.

2002

April 2002, edu­ca­tio­nal ex­hi­bi­ti­on and work­shop, “Terzo con­gres­so in­ter­na­zio­na­le di Ar­cheo­lo­gia dell’Antico Ori­en­te” (ICAANE), at “La Sor­bon­ne” Uni­ver­si­ty, Paris.

2001

No­vem­ber 2001 – ex­hi­bi­ti­on of An­ci­ent Art, “La Villa Romana”, at Museo Civico “U. Mastroi­an­ni”, Marino (Rome), Italy.

Augusto Marcello Mazzotta

Architect, Technical Manager

augusto@finais.ch

Ar­chi­tect Mu­seo­gra­pher gra­dua­ted from Sa­pi­en­za Uni­ver­si­ty of Rome, since the early ni­ne­ties he has mainly worked in mu­seo­gra­phy, re­sto­ra­ti­on and fine art.

He worked in the ar­chaeo­lo­gi­cal areas of Po­li­co­ro and Pom­peii, on the design and con­struc­tion of the re­com­po­si­ti­on of the bronze statue at­tri­but­ed to Ger­ma­ni­co kept at the Ar­chaeo­lo­gi­cal Museum of Amelia near Pe­rugia, and on the re­con­struc­tion of the mo­nu­ment to Car­di­nal De Braye by Ar­nol­fo di Cambio in the church of S. Do­me­ni­co in Or­vie­to.

He has de­si­gned nu­me­rous ex­hi­bi­ti­ons in Italy and in par­ti­cu­lar in Ger­ma­ny at the KAH in Bonn. Foun­der and CEO of the Ar­te­si­stemi con­sor­ti­um, a stable grou­ping of Roman com­pa­nies with a spe­ci­fic vo­ca­ti­on in the pre­pa­ra­ti­on of ex­hi­bi­ti­ons, he de­signs and car­ri­es out the re­con­struc­tion of the attic order of the por­ti­coes of the Forum of Au­gu­stus pre­sen­ted at the Martin Gro­pi­us Bau in Berlin and the pre­pa­ra­ti­on of the Museum of the Im­pe­ri­al Forums in the Trajan Mar­kets in Rome cha­rac­te­ri­zed, in par­ti­cu­lar, by nu­me­rous re­con­struc­tions made for the oc­ca­si­on.

For many years he has been working with Art GAP as an expert in ar­tis­tic dia­gno­stics.

Garen Ghazarian

Accounting und Finance

garen@finais.ch

Antranig Hossepian

Restauration

antranig@finais.ch

Corrado Possieri

Engineer – AI programmer

Cor­ra­do Pos­sie­ri is an As­si­stant Pro­fes­sor at Uni­ver­si­ty of Rome, Tor Ver­ga­ta, where he re­cei­ved his PhD in Com­pu­ter Sci­ence, Con­trol, and Geo­in­for­ma­ti­on.

He has been tea­ching and re­se­ar­ching in the fields of con­trol theory and ma­chi­ne lear­ning for over 5 years. He is the author of more than 110 sci­en­ti­fic papers pu­blished in peer re­view­ed jour­nals and con­fe­rence pro­ce­e­dings, of a book, and of an in­ter­na­tio­nal patent. He served as a member of the or­ga­ni­zing com­mit­tee of several in­ter­na­tio­nal con­fe­rence and as an as­so­cia­te editor for a jour­nal pu­bli­shing the out­co­me of mul­ti­di­sci­pli­na­ry and in­ter­di­sci­pli­na­ry re­se­arch. He has been a con­trac­tor for several com­pa­nies, mainly in the au­to­mo­ti­ve in­du­stry, de­ve­lo­ping in­no­va­ti­ve pa­ra­digms for the con­trol and esti­ma­ti­on of com­plex plants.

Sergio Galeani

Engineer – AI programmer

Sergio Ga­lea­ni is an As­so­cia­te Pro­fes­sor at Uni­ver­si­ty of Rome, Tor Ver­ga­ta, where he re­cei­ved his PhD in Au­to­ma­ti­on and Com­pu­ter Sci­ence En­gi­nee­ring, and where he is cur­r­ent­ly the chair of the Laurea Ma­gi­stra­le (MS) degree in Au­to­ma­ti­on En­gi­nee­ring.

He has been tea­ching and re­se­ar­ching in the field of dy­na­mi­cal sy­stems, con­trol theory and ro­bo­tics for over 20 years. He is the (co-)author of two text­books and over 150 sci­en­ti­fic papers pu­blished in in­ter­na­tio­nal peer re­view­ed jour­nals and con­fe­rence pro­ce­e­dings. He has served as a member of the or­ga­ni­zing com­mit­tee of several in­ter­na­tio­nal con­fe­ren­ces and as an as­so­cia­te editor for some of the main sci­en­ti­fic jour­nals in con­trol theory. In ad­di­ti­on to his aca­de­mic re­se­arch work, he has been a con­sul­tant for several com­pa­nies, mainly in the ae­ro­space in­du­stry, de­ve­lo­ping in­no­va­ti­ve so­lu­ti­ons in the con­text of pri­va­te­ly and pu­blicly funded pro­jects.

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Fine Art In­ter­na­tio­nal Switz­er­land AG
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CH-8058 Zürich-Flug­ha­fen

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